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World War II and Post War Horror

Updated: Aug 17, 2023



There was a noticeable tonal shift in horror films during and after World War II that has been observed and studied by film historians. While horror films of the 1930s and early 1940s often had a sense of escapist fun and fantasy, reflecting the cultural and economic realities of the time, horror films of the late 1940s and 1950s often took on a darker, more serious tone, reflecting the traumas of war and the anxieties of the post-war era.


One of the most significant changes was the shift from gothic horror to science fiction and atomic horror. Gothic horror films such as "Frankenstein" and "Dracula" had dominated the horror genre in the 1930s and early 1940s, but by the late 1940s, science fiction and atomic horror had become more popular. These films often explored the dangers of science and technology, reflecting the fears of a post-atomic world. Examples of these films include "The Thing from Another World" (1951), "The Day the Earth Stood Still" (1951), and "Godzilla" (1954).


Another significant change was the focus on psychological horror and the use of suspense and suggestion rather than explicit violence. Films such as "Psycho" (1960) and "The Haunting" (1963) explored the inner workings of the human mind and the psychological effects of trauma, reflecting the anxieties of a society that had just gone through a devastating war.


Finally, there was a shift in the portrayal of monsters and villains. In earlier horror films, the monsters were often sympathetic and humanized, while the human villains were often portrayed as monstrous.


However, in post-war horror films, the monsters were often portrayed as truly monstrous, reflecting a growing distrust of the other and the unknown. Examples of this include "Invasion of the Body Snatchers" (1956), which portrayed alien invaders as emotionless and soulless, and "Night of the Living Dead" (1968), which depicted zombies as mindless and relentless.


In conclusion, the tonal shift in horror films during and after World War II reflected the traumas and anxieties of the time. Gothic horror gave way to science fiction and atomic horror, while psychological horror and suspense became more prominent. Monsters and villains were portrayed as more truly monstrous, reflecting a growing fear of the other and the unknown.


These changes not only reflected the societal anxieties of the time but also had a lasting impact on the horror genre and on popular culture as a whole.

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