Night of the Living Dead (1968)
Romero didn’t invent the zombie — he weaponized it.
Every review. Every nightmare. Catalogued in crimson ink.
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Romero didn’t invent the zombie — he weaponized it.
Carpenter turned suburbia into a killing floor.
Hitchcock’s precision cut: guilt, voyeurism, and a scream you never forget.
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Faith under siege — and a horror film that still feels like a headline.
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Rod Serling’s dead-frequency sermons — horror, sci-fi, and morality in one bite.
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